Taylor Theatre Playbills
The Taylor Theatre Playbills collection features programs from Taylor’s stage productions, including Taylor Theatre, musicals, playback theatre, and Taylor’s Touring Company. Some operas are also included.
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Disney's Newsies:The Musical
The playbill for Taylor University's performance of Disney's Newsies:The Musical. Book by Harvey Fierstein. Music by Alen Menken. Lyrics by Jack Feldman.
Performed April 26-28 & May 3-5, 2024 at the Mitchell Theatre.
Disney's Newsies is a vibrant and inspiring musical based on the 1992 film and inspired by the real-life Newsboys Strike of 1899 in New York City. The story follows Jack Kelly, a charismatic newsboy who dreams of a better life. When newspaper publisher Joseph Pulitzer raises the prices that newsies must pay for papers, Jack and his fellow newsboys form a union and organize a strike to fight for their rights. With the help of young reporter Katherine Plummer, the newsies rally together to challenge the powerful publishers. The musical features energetic dance numbers and memorable songs like "Seize the Day" and "Santa Fe," celebrating themes of resilience, justice, and the strength of youth.
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All I Really Need to Know I Learned in Kindergarten
The playbill for Taylor University's performance of Robert Fulghum’s All I Really Need to Know I Learned in Kindergarten adapted by Ernest Zulia and composed by David Caldwell.
Performed February 23-25, 2024 at the Mitchell Theatre.
All I Really Need to Know I Learned in Kindergarten is a musical adaptation of Robert Fulghum's book, brought to life by Ernest Zulia and David Caldwell. The play captures the essence of Fulghum's essays, which reflect on the simple yet profound lessons learned in kindergarten, such as sharing, playing fair, and living a balanced life. Through a series of vignettes and musical numbers, the adaptation explores themes of love, community, and the wisdom found in everyday experiences. It emphasizes the importance of kindness, curiosity, and the joy of life's small moments.
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Everybody
The playbill for Taylor University's performance of Everybody by Branden Jacobs-Jenkins.
Performed September 14-17, 2023 at the Mitchell Theatre.
Everybody is a modern adaptation of the 15th-century morality play Everyman. The story follows a character named Everybody, who is summoned by Death to embark on a journey to account for their life and choices before God. As Everybody seeks companionship for this final journey, they encounter personifications of abstract concepts like Friendship, Kinship, Stuff, Mind, and Love. The play uses a unique casting lottery system, where roles are assigned randomly at each performance, symbolizing the unpredictability of death. Through its exploration of existential questions and the human condition, Everybody connects medieval anxieties about mortality with contemporary themes of identity and purpose.
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Macbeth
The playbill for Taylor University's performance of Macbeth by William Shakespeare.
Performed February 24-26 & March 3-5 2023 at the Mitchell Theatre.
Macbeth is a tragedy that delves into themes of ambition, power, and guilt. The play follows the rise and fall of Macbeth, a Scottish nobleman, who is driven by a prophecy from three witches and the manipulative encouragement of his wife, Lady Macbeth. After murdering King Duncan to seize the throne, Macbeth's reign is marked by paranoia and tyranny, leading to further bloodshed and his eventual downfall. The play explores the psychological effects of ambition and the moral consequences of unchecked power.
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White Christmas
The playbill for Taylor University's performance of White Christmas. Book by David Ives & Paul Blake. Music & lyrics by Irving Berlin.
Performed November 11-13, 18, 20 & December 2-4, 2022 at the Mitchell Theatre.
White Christmas is a heartwarming musical based on the 1954 film of the same name, with a book by David Ives and Paul Blake, and music and lyrics by Irving Berlin. The story follows two World War II veterans, Bob Wallace and Phil Davis, who have become successful song-and-dance performers. They team up with a sister act, Betty and Judy Haynes, and travel to Vermont for a Christmas show at a struggling inn owned by their former commanding officer, General Waverly. Through misunderstandings and romantic entanglements, the group works together to save the inn and bring holiday cheer. The musical features classic songs like "White Christmas" and "Blue Skies," and celebrates themes of friendship, love, and the magic of the holiday season.
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The Birds
The playbill for Taylor University's performance of The Birds by Conor McPherson adapted from the short story of Daphne Du Maurier.
Performed September 15-18, 2022 at the Mitchell Theatre.
The Birds is set in an isolated house where two strangers, Nat and Diane, seek refuge from relentless attacks by flocks of birds. As they struggle to survive with limited resources and no electricity, their fragile sanctuary is further disrupted by the arrival of a young woman named Julia. The tension inside the house mirrors the chaos outside, as paranoia and fear take hold. McPherson's adaptation delves into the psychological and emotional strains of the characters, creating a claustrophobic and unsettling atmosphere that explores themes of survival, trust, and human vulnerability.
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Annie
The playbill for Taylor University's performance of Annie with book by Thomas Meehan, music by Charles Strouse and music by Martin Charnin.
Annie is a beloved musical with music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan.The musical is set during the Great Depression and follows the story of a young orphan named Annie. Living in a miserable orphanage run by the cruel Miss Hannigan, Annie's life changes when she is chosen to spend Christmas with the wealthy Oliver Warbucks. Despite various challenges and schemes by Miss Hannigan, Annie's optimism and determination lead to a heartwarming conclusion where she finds a new family and a brighter future. The musical features iconic songs like "Tomorrow" and "It's the Hard-Knock Life," and has been celebrated for its uplifting message and memorable characters.
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To Kill A Mockingbird
The playbill for Taylor University's performance of To Kill A Mockingbird by Harper Lee, dramatized by Christopher Sergel.
Performed February 18-20 & 25-27, 2022 at the Mitchell Theatre.
To Kill A Mockingbird is a dramatization by Christopher Sergel of Harper Lee's classic novel. Set in the racially segregated South during the 1930s, the play follows young Scout Finch and her brother Jem as they witness their father, Atticus Finch, defend Tom Robinson, a Black man falsely accused of raping a white woman. Through Scout's eyes, the story explores themes of racial injustice, moral integrity, and the loss of innocence. The play captures the essence of the novel's powerful commentary on prejudice and the importance of empathy and understanding.
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The Women of Lockerbie
The playbill for Taylor University's performance of The Women of Lockerbie by Deborah Brevoort..
Performed October 29-31 & November 5-7, 2021 at the Mitchell Theatre.
The Women of Lockerbie is a poignant drama inspired by the real-life aftermath of the 1988 bombing of Pan Am Flight 103 over Lockerbie, Scotland. The play follows a grieving mother from New Jersey who roams the hills of Lockerbie, searching for her son's remains. She encounters the women of Lockerbie, who are fighting the U.S. government to retrieve the clothing of the victims found in the wreckage. These women aim to wash the clothes and return them to the families, transforming an act of hatred into one of love. The play explores themes of grief, healing, and the power of community and compassion.
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Borrowed Babies
The playbill for Taylor University's performance of Borrowed Babies by Jennifer Blackmer.
Performed September 10-12, 2021 at the Mitchell Theatre.
Borrowed Babies is a play by Jennifer Blackmer that delves into the historical practice of university "practice houses" for home economics students. The story follows Judy London, a Professor of Home Economics, who encounters one of her former "practice babies" as she nears the end of her career. This meeting prompts Judy to reflect on her life's journey and the sacrifices she has made. The play explores the evolving roles of women and mothers in American society over the past sixty years, highlighting themes of identity, legacy, and the impact of societal expectations
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An Enemy of the People
The playbill for Taylor University's performance of An Enemy of the People by Henrik Ibsen.
Performed February 28-March 1, 6-8, 2020 at the Mitchell Theatre.
An Enemy of the People explores themes of truth, integrity, and the conflict between individual and societal interests. The story centers on Dr. Thomas Stockmann, a medical officer in a small Norwegian town, who discovers that the local baths, a major source of income for the town, are contaminated and pose a serious health risk. When he attempts to go public with his findings, he faces intense opposition from the town's leaders, including his brother, the mayor, who fear the economic repercussions. As the townspeople turn against him, Dr. Stockmann becomes a symbol of the struggle for truth and moral courage against the pressures of conformity and self-interest. The play raises important questions about the responsibilities of individuals and communities in addressing inconvenient truths.
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Much Ado About Nothing
The playbill for Taylor University's performance of William Shakespeare's Much Ado About Nothing.
Performed November 15-17 & 22-24, 2019 at the Mitchell Theatre.
Much Ado About Nothing is a comedic play that revolves around the romantic entanglements and misunderstandings of two couples. The witty and sharp-tongued Beatrice and Benedick engage in a "merry war" of words, while the young lovers Hero and Claudio face obstacles due to deceit and false accusations. The play is set in Messina and features themes of love, honor, and the consequences of deception. Through clever dialogue and humorous situations, William Shakespeare explores the complexities of relationships and the importance of trust and forgiveness.
Instead of the original setting of the play in 15th Century Italy the director changed it to 1944 England, just days before D-Day. The language is Shakespeare's, but the presentation is WWII.
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Falling
The playbill for Taylor University's performance of Falling by Deanna Jent.
Performed September 20-22 2019 at the Mitchell Theatre.
Falling is a poignant and deeply moving play that explores the challenges faced by a family raising a teenage son with severe autism. The story centers on the daily struggles and emotional complexities of the family, particularly the parents, as they navigate the demands of caring for their son, Josh. When a relative visits, the family's delicate balance is disrupted, revealing the intense pressures and sacrifices involved. The play highlights themes of unconditional love, resilience, and the impact of autism on family dynamics. Drawing from Jent's own experiences, Falling offers an authentic and heartfelt portrayal of the realities faced by families dealing with autism.
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The Mousetrap
The playbill for Taylor University's performance of Agatha Christie's The Mousetrap.
Performed April 26-28 & May 3-5, 2019 at the Mitchell Theatre.
The Mousetrap is a classic murder mystery play by Agatha Christie. Set in the remote Monkswell Manor, the story begins as a group of strangers is stranded by a snowstorm. The guests include a newlywed couple, a retired army major, an architect, a mysterious foreigner, and a stern magistrate. Tensions rise when they learn that a murderer is among them, and a police sergeant arrives to investigate. As secrets are revealed and suspicions grow, the play builds to a surprising and suspenseful climax.
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Metamorphoses
The playbill for Taylor University’s performance of Metamorphoses by Mary Zimmerman.
Performed February 22-24 and March 1-3, 2018 at the Mitchell Theatre.
Called by Time the “theater event of the year,” Mary Zimmerman’s Metamorphoses brings Ovid’s tales to stunning visual life. Set in and around a large pool of water, Metamorphoses juxtaposes the ancient and the contemporary in both language and image to reflect the variety and persistence of narrative in the face of inevitable change. Nominated for three 2002 Tony Awards, including “Best Play,” Metamorphoses earned Zimmerman a Tony for “Best Direction of a Play.”
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Into the Woods
The playbill for Taylor University's performance of Into the Woods. Book by James Lapine. Music & Lyrics by Stephen Sondheim.
Performed November 9-11 & 16-18, 2018 at the Mitchell Theatre.
Into the Woods is a musical with music and lyrics by Stephen Sondheim and a book by James Lapine. It intertwines the plots of several Brothers Grimm fairy tales, exploring the consequences of the characters' wishes and quests. The story follows a Baker and his Wife, who wish to have a child; Cinderella, who wishes to attend the King's festival; and Jack, who wishes his cow would give milk. Their journeys intersect in the woods, where they encounter other fairy tale characters like Little Red Riding Hood, Rapunzel, and the Witch. The musical delves into themes of responsibility, the complexity of human desires, and the moral implications of actions.
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The Amish Project
The playbill for Taylor University's performance of The Amish Project by Jessica Dickey.
Performed September 13-16, 2018 at the Mitchell Theatre. This was the 2018 Jason Francis Memorial Scholarship Show.
The Amish Project is a powerful and thought-provoking play by Jessica Dickey that explores the fictionalized aftermath of the real-life 2006 West Nickel Mines Amish School shooting. The play delves into themes of forgiveness, compassion, and community resilience in the face of tragedy. It portrays the complex emotional journey of the Amish community as they navigate their grief and the necessity of forgiveness to heal and survive.
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Disney and Cameron Mackintosh's Mary Poppins: The Broadway Musical
The playbill for Taylor University’s performance of Disney and Cameron Mackintosh’s Marry Poppins: The Broadway Musical.
Performed April 27-29 and May 4-6, 2018 at the Mitchell Theatre.
Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren't the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the nanny who advises, “Anything can happen if you let it.” A musical based on the stories of P.L. Travers and the Walt Disney Film.
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Why We Must Die So Young: The Story of the White Rose Martyrs
The playbill for Taylor University’s performance of Why We Must Die So Young: The Story of the White Rose Martyrs by William Gebby.
Performed February 23-25, 2018 at the Mitchell Theatre.
During the darkest days of WWII, a handful of German college students distributed thousands of anti-Nazi leaflets and worked toward unifying resistance across Germany. They called themselves the White Rose, and their faith drew them to engage in a fight that would cost them their lives. William Gebby’s brand new play celebrates the lives of these brave young people who would not and will not be silent. The TU Theatre students have worked with the playwright to workshop the play and present it for it’s first-ever performance.
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Cyrano de Bergerac
The playbill for Taylor University’s performance of Cyrano de Bergerac, based on the translation written by Anthony Burgess of the play written by Edmund Rostand.
Performed November 10-12, 17-19, 2017 at the Mitchell Theatre.
Dashing, proud, and romantic, Cyrano is one of the most memorable figures in theatre history. Known throughout Paris for his unmatched bravery and the charm of his verse, poet Cyrano de Bergerac has one problem—his enormous nose. During an age of gallant musketeers and extravagant lifestyles, this beautiful soul is damned by his marred appearance. Not one to give up, Cyrano joins forces with the handsome but slow-witted soldier, Christian, to woo Roxane, the woman they both love. With Christian’s looks and Cyrano’s soul they quickly win her heart, but can Cyrano watch his beloved marry someone else? Equally hilarious and tragic, Edmond Rostand's classic verse play is one of the most popular romances to ever grace the stage.
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Moments
Taylor's first-ever dance production is review of our musical history. It includes numbers from past shows, such as Oklahoma!, current works that have come out of dance classes, and previews of upcoming performances, such as The Pirates of Penzance and Mary Poppins. Don't miss this incredible night of storytelling through dance!
Performed October 6-7, 2017 at the Mitchell Theatre.
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Clybourne Park
The playbill for Taylor University’s performance of Clybourne Park by Bruce Norris.
Performed September 28-30, October 1, 2017 at the Mitchell Theatre.
Winner of both the Pulitzer Prize and the Tony Award for Best Play, Clybourne Park is a razor-sharp satire about the politics of race. In 1959, Russ and Bev are moving to the suburbs after the tragic death of their son. Inadvertently, they’ve sold their house to the neighborhood’s first black family. Fifty years later, the roles are reversed when a young white couple buys the lot. In both instances a community showdown takes place, pitting race against real estate with the home as the battle ground.
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The Matchmaker
The playbill for Taylor University’s performance of The Matchmaker by Thornton Wilder.
Performed April 28-30 and May 5-7, 2017 at the Mitchell Theatre.
Before the world fell in love with "Hello, Dolly!", Thornton Wilder’s uproarious play "The Matchmaker" introduced Ms. Dolly Gallagher Levi: a cunning, crafty, and thoroughly modern woman who knows a good catch when she sees one. When the wealthy Horace Vandergelder hires matchmaker Ms. Levi to find him a wife, Dolly doesn't need to look far to find his perfect mate. While Dolly is “arranging things” for Mr. Vandergelder, the young, hopeless romantics of Yonkers reap the rewards of Dolly’s generosity.
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When the Rain Stops Falling
The playbill for Taylor University’s performance of When the Rain Stops Falling by Thornton Andrew Bovell.
Performed February 24-26, March 3-5, 2017.
It’s 2039. A fish falls from the sky and lands at Gabriel’s feet. Where did it come from? Gabriel’s estranged son decides to visit for dinner. What does he want? To know about his past? Gabriel barely knows his own past. From 1959 to 2039, from London to Australia, When the Rain Stops Falling follows the fragmented history and mystery of Gabriel’s family and the falling fish.
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Rodgers & Hammerstein's Oklahoma!
The playbill for Taylor University’s performance of Oklahoma!. Books and lyrics by Oscar Hammerstein II, music by Richard Rogers.
Performed on November 11-13, 18-20, 2016 at the Mitchell Theatre.
The high-spirited rivalry between the farmers and cowmen of the Western Indian Territory provides the colorful, turn-of-the-century backdrop for Curley and Laurey’s love story. But with these headstrong romantics holding the reins, the road to love is as bumpy as a surrey ride down a dusty road. Despite many hardships, their rocky romance leads to a new life beginning in a brand new state. Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set the standards and established the rules that musical theatre still follows today.
According to director Tracy Manning, “Oklahoma! is more than a love story. It was produced just after the US entered WWII... it’s part of America’s story. Our production considers what this story means for us today: How do we address issues of ownership, gender, and family in America? Do we share the same dreams? By looking at our past, we might find common ground.”
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Antigone
Taylor Theatre presents Sophocles’ timeless tragedy “Antigone,” translated and directed by Joe Ricke.
Performed September 29-October 2, 2016 at the Mitchell Theatre.
In this story, the bold yet cursed princess Antigone, daughter of Oedipus and Jocasta, chooses to confront her unmovable uncle/king about his decision to dishonor her brother by refusing his burial. Her choice to defy him shocks the entire city of Thebes. Ultimately, all concerned, including the audience, are forced to wrestle with the relationship of divine law to human laws.
This striking production, translated and directed by Joe Ricke, explores this universal question in the ancient context of Sophocles’ emotional, ritualistic masterpiece. “People in ancient Athens didn’t go to the theatre to see everyday life,” Ricke explains, “They went to be unsettled, disoriented, and deeply moved.” This production seeks to achieve the same.
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A Midsummer Night's Dream
Taylor Theatre presents William Shakespeare’s A Midsummer Night’s Dream.
Performed April 29-30 and May 6-7, 2016 at the Mitchell Theatre. Mischief meets merriment in this fresh re-imagining of Shakespeare's most popular romantic comedy.
In just one night, four magical stories are cleverly woven together: the marriage of the Athenian duke to the Amazon queen; the battle of the king and queen of the fairies; the follies of four lovers in a forest; and the hilarious antics of amateur actors staging a play. Enter a vibrant world where fairies fly overhead, a donkey bursts into song, and love potion makes your perspective turn on a dime. This production of "A Midsummer Night's Dream" is an immersive theatrical experience suitable for theatergoers nine to 90—one you don't want to miss!
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Rabbit Hole
Taylor Theatre presents Rabbit Hole by David-Lindsay-Abaire.
Performed February 19-21, 26-28, 2016 at the Mitchell Theatre.
As improbably funny as it is heartbreaking, this story of a family in crisis won the 2007 Pulitzer Prize for Drama. Becca and Howie had the perfect life—a great marriage, a beautiful house, and a lovely son. But after a tragic accident, the couple faces the challenges of surviving great loss and making a life with the family that remains.
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Working
The playbill for Taylor University’s Spring 2016 performance of Working by Stephen Schwartz and Nina Faso.
Working is a musical about the jobs of various people and their thoughts about their work.
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The Marriage of Figaro
Taylor Theatre presents an original translation of Mozart's comic-opera, "The Marriage of Figaro."
Mozart's "The Marriage of Figaro" whisks us through the events of one crazy day as Figaro, the Lord's valet, tries to wed Susanna, the Lady's maid, before their philandering master can get to her first. Filled with Mozart's glorious music, The Marriage of Figaro is widely regarded to be one of the greatest comic operas ever written. Our production will see its plot of intrigue, mistaken identities, and unexpected revelations unravel in early 20th Century England in which the servants who live downstairs are perfectly capable of thwarting their masters who live upstairs at every turn.
In this production of "The Marriage of Figaro," director Tracy Manning has adapted the recitative into dialogue.
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The Arab-Israeli Cookbook
"The Arab-Israeli Cookbook" is a verbatim play written by British playwright Robin Soans. The script was created as a result of a collaboration with two directors, one Arab and one Jewish. The three of them went to Israel and interviewed a wide variety of people including farmers, fishermen, photographers, students, the young, the old, the orthodox, the unorthodox, those who were pessimistic and those who were hopeful. Soans used the interviewees' own words to tell their stories—to give voice to those caught up in the Arab-Israeli conflict. The composite picture that emerges in their stories demonstrates that regardless of labels and politics, ordinary people are more alike than different.
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I Love a Piano
Taylor University Theatre presents its spring musical, "I Love A Piano", a celebration of the iconic compositions and lyrics of Irving Berlin.
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A Piece of My Heart
Taylor University Theatre presents Shirley Lauro's "A Piece of My Heart". This powerful play explores the true stories of six women in the Vietnam War: five nurses and a country western singer booked to entertain the troops.
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Tartuffe
The playbill for Taylor University’s Fall 2014 performance of Tartuffe by Molière.
Taylor University's Theatre department proudly presents, "Tartuffe", a pinnacle of classical comedy. Written by renowned French playwright Molière in 1664, "Tartuffe" follows a hypocrite's attempts to sabotage the domestic happiness of an unsuspecting family.
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Playback Theatre
The playbill for Taylor University’s Fall 2014 performance of Playback Theatre.
Interactive and spontaneous, Playback Theatre bases its material on the stories of the community. During a performance, audience members respond to questions from the conductor and share their stories, then watch as the company immediately “plays back” their words as a theatrical moment.
Playback is an opportunity for stories to be heard and acknowledged in a meaningful way. In every occasion, central to our theatre experience is our faith in Jesus Christ and applying the truth of Scripture to the reality of the everyday stories presented throughout the evening.
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Wit
The playbill for Taylor University’s Fall 2014 performance of Wit by Margaret Edson.
Wit (or W;t) takes place over the final hours of Dr. Vivian Bearing, a university English professor, who is dying of Ovarian cancer. The course of the play is her reflecting on her life through the intricacies of the English language, particularly focusing on the wit found in the poetry of John Donne.
In this program the Jason Francis Memorial Scholarship Fund is announced.
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The Miracle Worker
The playbill for Taylor University’s Spring 2014 performance of The Miracle Worker by William Gibson.
The Miracle Worker is based on the autobiography of Helen Keller.
This show was in memory of Dr. Oliver Hubbard, former professor and director of Taylor Theatre. The performance was directed and designed to be as close to the previous performance of The Miracle Worker Dr. Oliver Hubbard directed in 2002. The performance on May 3 was part of a full day dedicated to honoring his work and service. (See the playbill of "The Servant of Two Masters" for the schedule.)
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The Servant of Two Masters
The playbill for Taylor University’s Spring 2014 performance of The Servant of Two Masters by Carlo Goldoni, translated by Jeffry Hatcher and Paolo Emilio Landi.
The Servant of Two Masters is a comedy by the Italian playwright Carlo Goldoni written in 1746. It follows the story of Beatrice and her comical servant, Truffaldino. Beatrice goes disguised as her dead brother to find her lover, Florindo, plotting to acquire money from her brother’s betrothed to help her run away with her lover. Meanwhile Truffaldino secretly takes on an additional service to Florindo, and must do his best to serve his two masters without either one knowing he is serving the other.
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The Cherry Orchard
The playbill for Taylor University’s Spring 2014 performance of The Cherry Orchard by Anton Chekhov.
The play follows an aristocratic Russian landowner who returns to her family estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage.
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Kiss Me, Kate
The playbill for Taylor University’s Fall 2013 performance of Kiss Me, Kate by Cole Porter and Samuel and Bella Spewack.
Kiss Me, Kate follows the story of divorcees Fred and Lilli and their onstage/offstage drama as they rehearse and perform a musical version of William Shakespeare’s The Taming of the Shrew.
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Though the Earth Give Way
The playbill for Taylor University’s Fall 2013 performance of Though the Earth Give Way by William Gebby, commissioned and presented by the Taylor Theatre Touring Company.
Though the Earth Give Way is a reimagined telling of the story of King Hezikiah and his resistance of the Assyrian siege of Jerusalem in 701 B.C.. The story is found in the Old Testament, in 2 Kings 18-20 and Psalm 46.
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Freud's Last Session
The playbill for Taylor University’s Fall 2013 performance of Freud’s Last Session by Mark St. Germain.
Freud’s Last Session focuses on psychoanalyst Dr. Sigmund Freud who has invited Oxford professor C. S. Lewis to his London home. The two men enter debate about the existence of God, love, sex, and the meaning of life – only two weeks before Freud chooses to take his own.
The play was suggested by the best selling book The Question of God by Armand M. Nicholi, Jr..
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The Curious Savage
The playbill for Taylor University’s Spring 2013 performance of The Curious Savage by John Patrick.
The Curious Savage is the story of Ethel P. Savage, an elderly lady whose husband has died and left her approximately ten million dollars. When she sets up a memorial fund for average people to pursue their dreams, her three stepchildren commit her to a sanatorium and try to discover where she has hidden the fortune. As the search for the fortune plays out the question becomes who is really crazy, the residents of the sanatorium or Ethel’s stepchildren.
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Godspell
The playbill for Taylor University’s Spring 2013 performance of Godspell by Stephen Schwartz and John-Michael Tebelak.
Gospell is a musical telling the parables and life of Jesus found in the gospel of Matthew.
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Romeo & Juliet
The playbill for Taylor University’s Fall 2012 performance of Romeo and Juliet by William Shakespeare.
Romeo and Juliet is a tragedy about two young lovers from feuding families and how their relationship and deaths reconcile their families.
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But Not Destroyed: The Story of Calvin Fairbank
The playbill for Taylor University’s Fall 2012 performance of But Not Destroyed: The Story of Calvin Fairbank by William Gebby.
But Not Destroyed tells the story of Calvin Fairbank who was among forty-four persons imprisoned in the Kentucky State Penitentiary for the crime of helping African-Americans escape from slavery.
Performed by the Taylor Touring Company.
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Waiting for Godot
The playbill for Taylor University’s Fall 2012 performance of Waiting for Godot by Samuel Beckett.
Waiting for Gadot is the story of two men and their conversations as they wait for someone named Gadot, who never arrives.
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Noises Off
The playbill for Taylor University’s Spring 2012 performance of Noises Off by Michael Frayn.
Noises Off is a farce involving the small cast of a play and how their offstage drama impacts their onstage drama.
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Proof
The playbill for Taylor University’s Spring 2012 performance of Proof by David Auburn.
Proof is the story of a young woman named Catherine, whose recently deceased father was a professor and mathematical genius. Catherine shares his genius, but fears she has also inherited her father’s mental health issues as well. The plot involves the discovery of a mathematical proof in her father’s desk, and her struggle to come to terms with her father’s legacy and her own future.
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A Christmas Carol: The Musical
The playbill for Taylor University’s Fall 2011 performance of A Christmas Carol, based on the story by Charles Dickens. Music by Alan Menken, book by Mike Ockrent and Lynn Ahrens, and lyrics by Lynn Ahrens.
A Christmas Carol tells the story of elderly miser Ebenezer Scrooge, who is visited by the ghost of his deceased business partner, and the spirits of Christmas Past, Present, and Future. Through the encounters Scrooge is transformed into a kinder man.